art of resistance, Palestine, Syria

The Book To Read: Victims Of A Map.

7-berlin-biennale-khaled-jarrar-briefmarken-2012-651x940/photo © Khaled Jarrar/

Victims of a Map is a beautiful bilingual anthology of Arabic poetry, including works of Mahmoud Darwish, Samih al Qasim and Adonis. The three of them are absolute stars in the world of (Arabic) poetry.

Alongside the original Arabic, this book includes thirteen poems by Darwish and a long work by Adonis written during the Beirut siege in 1982 – never before published. It’s really a labour of love and you can feel it in every page (lovely translation by Abudllah al-Udhari).

In The Desert (Diary of Beirut siege), great Syrian poet Adonis writes:

“My era tells me bluntly

you do not belong

I answer bluntly

I do not belong

I try to understand you

Now I am a shadow

Lost in the forest

Of a skull”

Most of the poetry by Adonis and Darwish and al-Qasim particularly, is written in a simple, everday language, but it speaks of the things greater than life – the hollowness of isolation, inevitability of “destiny”, solidity of “roots”, overwhelming hopelessness and permanent yearning for freedom.

victims

In We are Entitled to Love the End of Autumn Darwish writes:

“We are entitled to love the end of autumn and ask:

Is there room for another autumn in the field to rest our bodies like coal?

An autumn lowering its leaves like gold. I wish we were fig leaves

I wish we were an abandoned plant

To witness the change of seasons. I wish we didn’t say goodbye

To the south of the eye so as to ask what

Our fathers had asked when they flew on the tip of the spear”

As it is written in the introduction of this book, the poems in Victims of a Map express not only the fate of Arabs, Syrians or Palestinians, but also of the humanity itself, trapped in a contemporary tragedy. The resistance poetry by Darwish, al-Qasim and Adonis, raises a local tragedy to a level of a universal one.

Just think about it – how many people are today, and in how many ways – victims of a map? In The Story of a City, al-Qasim writes:

“A blue city

dreamt of tourists

shopping day after day.

A dark city

hates tourists

scanning cafes with rifles.”

Read this beautiful little anthology! Like it is often the case with great poetry books – you’ll never finish reading it and it is worth all of your time.

• • •

Previous The Book To Read:

War Works Hard

Desert Songs Of The Night

In The Country Of Men

After Zionism

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art of resistance

Abd El-Hadi Fights A Superpower.

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/Drawing by a Syrian refugee, via PBS/

I love to think of poetry (and writing in general) as a journey to the deepest of depths, as a way of exposing open wounds, as a way of healing – in the end. While Europe ‘battles’ with refugees, poems and poets, novels and writers, keep on coming to my mind.

I think of Taha Muhammad Ali’s simple man, Abd El-Hadi, who fights a superpower. I think of Nadezhda Mandelstam and the way she survived through the worst of times so that she could talk about the worst of times, the way she lost everybody and lived to keep them alive – to save Osip’s poetry, to make sure nobody forgets the way he and thousands of others died. So here it is – pain, wars, exile – a small refugee blues, in a way…

“And after his death – or even before it, perhaps – he lived on in camp legend as a demented old man of seventy who had once written poetry in the outside world and was therefore nicknamed The Poet. And another old man – or was it the same one? – lived in the transit camp of Vtoraya Rechka, waiting to be shipped to Kolyma, and was thought by many people to be Osip Mandelstam – which, for all I know, he may have been. That is all I have been able to find out about the last days, illness and death of Mandelstam. Others know very much less about the death of their dear ones.”

Hope Against Hope, Nadezhda Mandelstam

“Look at them leaving in droves despite knowing they will be welcomed with restraint in those strange lands because they do not belong, knowing they will have to sit on one buttock because they must not sit comfortable lest they be asked to rise and leave, knowing they will speak in dampened whispers because they must not let their voices drown those of the owners of the land, knowing they will have to walk on their toes because they must not leave footprints on the new earth lest they be mistaken for those who want to claim the land as theirs. Look at them leaving in droves, arm in arm with loss and lost, look at them leaving in droves.”

We need new names, NoViolet Bulawayo

“I said, what is a homeland? I was asking myself that question a moment ago. Naturally. What is a homeland? Is it these two chairs that remained in this room for twenty years? The table? Peacock feathers? The picture of Jerusalem on the wall? The copper lock? The oak tree? The balcony? What is a homeland? Khaldun? Our illusions of him? Fathers? Their sons? What is a homeland? Is it the picture of his brother hanging on the wall? I’m only asking… Once again, Safiyya began to weep. She dried her tears with a small white handkerchief. Looking at her, Said thought: How this woman has aged. She squandered her youth waiting for this moment, not knowing what a terrible moment it would be.”

Returning to Haifa, Ghassan Kanafani

In his life

he neither wrote nor read.

In his life he

didn’t cut down a single tree,

didn’t slit the throat

of a single calf.

In his life he did not speak

of the New York Times

behind its back,

didn’t raise

his voice to a soul

except in his saying:

“Come in, please,

by God, you can’t refuse.”

              

Nevertheless—

his case is hopeless,

his situation

desperate.

His God-given rights are a grain of salt

tossed into the sea.

 

Ladies and gentlemen of the jury:

about his enemies

my client knows not a thing.

And I can assure you,

were he to encounter

the entire crew

of the aircraft carrier Enterprise,

he’d serve them eggs

sunny-side up,

and labneh

fresh from the bag.

Abd el-Hadi Fights a Superpower, Taha Muhammad Ali

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no one leaves home unless

home is the mouth of a shark

you only run for the border

when you see the whole city running as well

 

your neighbors running faster than you

breath bloody in their throats

the boy you went to school with

who kissed you dizzy behind the old tin factory

is holding a gun bigger than his body

you only leave home

when home won’t let you stay.

 

no one leaves home unless home chases you

fire under feet

hot blood in your belly

it’s not something you ever thought of doing

until the blade burnt threats into

your neck

and even then you carried the anthem under

your breath

only tearing up your passport in an airport toilets

sobbing as each mouthful of paper

made it clear that you wouldn’t be going back.

you have to understand,

that no one puts their children in a boat

unless the water is safer than the land

no one burns their palms

under trains

beneath carriages

no one spends days and nights in the stomach of a truck

feeding on newspaper unless the miles travelled

means something more than journey.

no one crawls under fences

no one wants to be beaten

pitied

no one chooses refugee camps

or strip searches where your

body is left aching

or prison,

because prison is safer

than a city of fire

and one prison guard

in the night

is better than a truckload

of men who look like your father

no one could take it

no one could stomach it

no one skin would be tough enough

the

go home blacks

refugees

dirty immigrants

asylum seekers

sucking our country dry

niggers with their hands out

they smell strange

savage

messed up their country and now they want

to mess ours up

how do the words

the dirty looks

roll off your backs

maybe because the blow is softer

than a limb torn off

 

or the words are more tender

than fourteen men between

your legs

or the insults are easier

to swallow

than rubble

than bone

than your child body

in pieces.

i want to go home,

but home is the mouth of a shark

home is the barrel of the gun

and no one would leave home

unless home chased you to the shore

unless home told you

to quicken your legs

leave your clothes behind

crawl through the desert

wade through the oceans

drown

save

be hunger

beg

forget pride

your survival is more important

no one leaves home until home is a sweaty voice in your ear

saying-

leave,

run away from me now

i dont know what i’ve become

but i know that anywhere

is safer than here

Home, Warsan Shire

To the families and lovers at the bottom of the sea, trying to reach Europe.

I.

How do we overcome war and poverty only to drown in your sea?

II.

Misrata, Libya
Habeebi just take the boat.
In front of you : Bahr.
Behind you : Harb.
And the border, closed.
Your Sea, Mare,Bahr. Our war, our Harb.

III.

Augusta, Italy
Where is the interpreter?
This is my family.
Baba, mama, baby all washed up on the shore. This is 28 shoeless survivors and thousands of bodies.
Bodies Syrian, Bodies Somali, Bodies Afghan, Bodies Ethiopian, Bodies Eritrean.
Bodies Palestinian.
Your Sea, Mare,Bahr. Our war, our Harb.

IV.

Alexandria, Egypt
Habeebi, just take the boat.
Behind you Aleppo and Asmara, barrel bombs and Kalashnikovs.
In front of you a little bit of hope.
Your Sea, Mare, Bahr. Our war, our Harb.

V.

Maps on our backs.
Long way from home.

No search, No rescue, Jehan Bseiso

The Day I die

My killer will find

Tickets in my pocket:

One to peace,

One to the fields and the rain,

And one to humanity’s conscience.

I beg you – please don’t waste them

I beg you, you who killed me: go.

Travel Tickets, Samih Al-Qasim

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art of resistance, Israel, Israeli - Palestinian conflict, Palestine

Remembering Samih al-Qasim: Travel tickets.

Famous Palestinian poet Samih al-Qasim died yesterday, after a long battle with cancer. He was a Palestinian Druze whose poetry inspired people throughout the Arab world. He will be widely mourned and stay in thoughts and minds of many for a long time to come.

tumblr_msh80bbDIV1qiaw1ao1_1280Mahmoud Darwish, Mohammad Mahdi al Jawahiri and Samih al Qasim, 1969. /tumblr/

In one of his last interviews, al-Qasim stated:

“If the Palestinian people will be free, if the Arab world will be united, if social justice will be victorious in all the world, if there will be international peace. I don’t care who will remember me or my poems. I don’t care.”

tumblr_nakmj74Azj1sg8qugo1_500al- Qasim as a child /tumblr/

To remember al-Qasim and his poetry, I am posting his famous poem, Travel Tickets.

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/Travel tickets tree – arabic /

The Day I die

my killer will find

tickets in my pocket:

One to peace,

One to the fields and the rain,

and one to humanity’s conscience.

I beg you – please don’t waste them

I beg you, you who killed me: go.

For more on Samih al-Qasim and his wonderful poetry, read the first-ever English collection of his poems – Sadder than Water.

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