Unnamed Road is a book by Korean photographer Jungjin Lee, in which she approaches the territories of Israel and the West Bank by turning to the landscape. After reading Raja Shehadeh’s Palestinian Walks , Unnamed Road was a book that allowed me to continue the journey – this time by looking, not reading.
Lee turns to the landscape in a similar way Shehadeh does. She explores spaces more than people. Her black-and-white images are self-contained worlds of stillness and wonder, as she searches for something constant in the life of the landscape.
Her approach is not documentary (atleast not primarily), it’s more like meditation – a search for the spiritual potential with(in) the landscape. In a way, that approach is a luxury international photographers (or people visiting the West Bank) can afford to have, because of their fresh relationship with the landscape.
For the locals, that relationship involves so much more, it is a burden in so many ways (Shehadeh writes about it very well). It becomes hard to enjoy it or just be present in the moment.
That being said, I still really like going through images in the Unnamed Road. Not just because they are a great work of art. I like it because it makes me think of a scenario in which some fundamental truths do not alter – even in the West Bank and the Occupied Territories. I like to picture it as true, as possible.
I like to imagine people (those who live there and those who come to visit) looking at the landscape, walking, breathing – just being present and nothing more. No burdens, no thinking, no fear. Just people and the land – pure, authentic, everlasting relationship.
//all photos © Jungjin Lee//