art of resistance

Five For Friday: A(nother) Year Of Writing.

Umm-Kulthum-3/The Best Lady Of Them All,  © Chant Avedissian: Cairo Stencils. Issa, Rose (Ed.) London: SAQI/

Two days ago was Umm Kulthum’s death anniversary (the best lady of them all). Tomorrow is Middle East Revised’s second birthday.

That is the reason why this edition of Five for Friday will be a little bit different. It’s five categories and each one of them includes something I really liked (writing about) throughout the year. Hope you’ll enjoy it and find something interesting.

1. Book Palestinian Walks, Notes On A Vanishing Landscape

DSC08257/Wadi Rum, photo © Ivana Perić, MER/

It’s hard to choose one book, and many more wonderful writings wait for you if you scroll though The Book To Read section. However, there was something special about Raja Shehadeh’s experience presented in this lovely book.

Seven walks captured in the book span a period of twenty-seven years, in the hills around Ramallah, in the Jerusalem wilderness and through ravines by the Dead Sea. Each walk takes place at a different stage of Palestinian history.

The loss of such a simple pleasure as walking around freely is much more important than it might seem, for it exists within a much greater loss – deprivations of an entire people estranged from their land. Read the full review of the book for more.

2. Interview – Samar Hazboun On Living And Working Under Occupation & All That’s Left Is Women Wearing Black

hush/photo © Samar Hazboun/

These two interviews were and are so important to me. I am so happy I managed to speak to Samar Hazboun and Aida Baghdadi, both brave, creative, inspiring souls. Hazboun is a great Palestinian photographer, Aida is a great Syrian lawyer and human rights activist.

Samar’s work is always filled with depth and empathy. She makes projects and not products, her work is a constant learning experience, and not a calculated pose. Read the full interview.

Aida Baghdadi managed to break my heart and put it back together at the same time. We were both crying at the end of the interview, and it’s the first time that ever happened to me. Read the interview here.

While you’re reading it, remember Syria is more than numbers, more than a word you hear all the time – Syria is Aida, her family, her friends, her dreams, her love. And she is just one person.

3. Film – The Dupes 

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The Dupes is a film by Tewfik Saleh, based on Ghassan Kanafani’s novella Men in the Sun. It’s one of the many films I wrote about throughout the year, but it stands out because it reminds me of so many other things that happened this year. It’s more than just one film, it means more…

It is the story of three men who try to leave their impoverished and hopeless lives to get work in Kuwait. They hire a water-truck driver to transport them illegally across the border in the tank of his truck.

The journey is not an easy one. It’s a journey that millions of people embark on nowadays. They are the dupes of our time. Read all about it here.

For more films, I recommend two other Five For Friday posts: Ten Years In Turkish Cinema & 90’s Iranian Cinema (just to name a few).

4. Remembering Sessions Leila Alaoui: The Moroccans

moroccans/photo © Leila Alaoui/

I already wrote it – it seems way to early to pay respect to Leila Alaoui, talented French-Moroccan photographer, in MER’s Remembering sessions. Unfortunately, Alaoui succumbed to her injuries sustained in the Ouagadougou (Burkina Faso) terrorist attacks.

One of her most beautiful projects was The Moroccans. It is visible how she was interested in dignity, in humanity. She gave herself to that struggle. I hope she will remembered for that – it’s the greatest legacy one can leave. Read more about Alaoui and her work here.

5. Photo EssayShatila, Still An Open Wound & Afghan Women

shatila 2 ivana/photo © Ivana Perić, MER/

Shatila stayed on my mind ever since I visited Beirut. It was one of the moments of the year that will stay with me forever. But that “burden” is nothing when you compare it those people in Shatila have to carry. Most of the things we know about Shatila are connected to the massacre of Sabra and Shatila (1982) and the War of the camps (1984 – 1989).

Since all of those events took part during the Lebanese civil war I think our brain tends to put them in the “past” department. But there is no “past” departments in Shatila, everything spills into present. Read about it and see the photos here.

Afghan Women is a beautiful photo series by Farzana Wahidy. She’s an amazing Afghan woman herself – she was the first female Afghan photojournalist to work for an international wire service.

The post is decidated to Wahidy and the women she captured in her photos, but I also wrote about Nadia Anjuman and her poetry and Setara from the Afghan Star. Read it!

Two other photo essays/series I would like to add to this great category – Yemen: In Beauty And Sorrow (all captured by lovely Jonathon Collins) & Libya, Where Art Thou? (about Naziha Arebi and her photos of everyday life in Libya).

Bonus songYalalela by Fadimoutou Wallet Inamoud

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What’s birthday without music?

Thank you all for reading and let’s keep growing together! ♡

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Previous Five For Friday:

Ten Years In Turkish Cinema

90’s Iranian Cinema

Postcards From Syrian Refugees

Costs of War

Conversations With History

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art of resistance

Middle East Revised: Top 5 Interviews of 2014.

I did a lot of work on my blog in 2014, and I am really happy and excited about writing even more and making it better with time. I hope I will find time and manage to do that. So, 2015 has just arrived and to commemorate last year in a small, symbolic way, I decided to post Top 5 Interviews I did last year, published here, on Middle East Revised. Why interviews? Because I really enjoy doing them, and I always try to prepare myself and get to really know the people I am interviewing (and their work, of course), in hope of providing a good and fresh dialogue, something new – food for thought, a spark of enlightenment! So – here is the list, enjoy reading!

Matthew Hoh: Veterans, America’s Wars & A Long Way To Go.

Jonathan-Landay-Matthew-Hoh-5479cc/Matthew Hoh, photo: Dale Robbins/Moyers & Company/

Matthew Hoh is a former State Department official who resigned from his post in Afghanistan in 2009. He did so in protest over US strategic policy and goals in Afghanistan. Prior to his assignment in Afghanistan, Hoh served in Iraq; first in 2004 and 2005 in Salah ad Din Province with a State Department reconstruction and governance team and then in 2006 and 2007 in Anbar Province as a Marine Corps company commander. He often writes about the torments he went through during the wars in Iraq and Afghanistan, and particularly – about the despair he faced upon his return to USA, facing an everyday life as a veteran. I think his voice is truly important in times when, as Ingeborg Bachmann wrote:  “War is no longer declared, only continued. The monstrous has become everyday.” Read more.

DAM (Palestine): When The Levee Breaks.

DAM-slider/photo via DAM/

This is an interview I did  with DAM’s Suhell Nafar, and it was published on Reorient Magazine. Heralded by Le Monde as ‘the spokesmen of a new generation’, the members of DAM – the first [known] Palestinian hip-hop crew and among the first musicians to rap in Arabic – began working together in the late 90s. Struck by the uncanny resemblance of the streets in a Tupac video to those of their own neighbourhood in Lod, brothers Tamer and Suhell Nafar, along with Mahmoud Jreri were inspired to tell their stories through song. They’ve come a long way since the 90s, and part of their tale has been documented in the acclaimed film, Slingshot Hip Hop, directed by Jackie Reem Salloum. As well, a year ago, they released the long-awaited album, Dabke on the Moon, to popular acclaim. Read more.

Tamara Abdul Hadi: A Different Middle East.

zamisli-arapskog-muc5a1karca-tamara-abdul-hadi/Picture an Arab Man by Tamara Abdul Hadi/

Tamara Abdul Hadi is an Iraqi – Canadian photojournalist. Her projects are strong and on point,  dealing with social injustice and deconstructing stereotypes. Through her work one can be constantly reminded how nothing is black and white, nothing is sealed in time and space – there’s a  lot of grey areas, but also a lot of colour to our world, and everything around us is fluid, ever changing. It is important to be reminded of that, especially when talking about the Middle East, the area often approached by oversimplification, constantly reduced to one (dark) image. Read more.

Tamara Erde: On History, Memory & Living Near The Livings.

Capture/Tamara Erde in Cell in a Human Scale/

Tamara Erde is a French-Israeli filmmaker who creates in various mediums, from documentary and fiction films, to performances and video installations. Erde is a brave artistic soul, often taking from her most personal places and transforming it into her art. In her work, she often deals with political and social issues of the Israeli-Palestinian conflict. That is what hits home. Read more.

✩ From The Sky: The Story Of Drones & Resistance.

from the sky photo/image via From The Sky facebook page/

From The Sky (2014) is a short film about a humble father (Hakeem) and his son (Abbas) who live in a region frequently targeted by drone strikes.  Drawing inspiration from the films of Werner Herzog and Peter Weir, the film tells a minimalist story in an atmosphere that balances eerie tension with ethereal cues. While the story is minimalistic, the questions it opens are of great dimensions, not just concerning the issues of US drone policy, but of an eternal dillema of resistance and what it can turn (a person) into.  The director of the film is Ian Ebright (the film is also written by Ebright) and I’ve been lucky enough to ask him some questions about the film and the idea behind it. Read more.

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P.S. Happy New Year & All The Best to All of You!

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