art of resistance, Iraq

The Option Of Last Resort: Iraqi Refugees.

ira8/photo © Gabriela Bulisova/

There is something special about Gabriela Bulisova’s photography. She documents wars, conflicts, exiles. Her subjects go through tragedies, they are extremely vulnerable and extremely powerful at the same time. Like the countries they come from, they are war-torn. Like the countries they come from, there’s more to them than just war.

The great thing about Bulisova’s photography is that she manages to capture the internal struggle – longing, desperation, sadness, void. It’s in the faces and movements of the people she portrays, but also in everything around them – light and the absence of light, unclear lines, shadows.

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In her series The Option of Last Resort Bulisova follows the stories of Iraqi refugees in United States. Why such a name for the project? For people who seek refugee status in America, the U.S. government offers resettlement as the “option of last resort” for the most vulnerable refugees.

“The masses of people displaced by the war in Iraq have become invisible and insignificant, overshadowed by other war-related events. Many of the displaced were the brains, the talent, the pride, the future of Iraq. Many of them, stigmatized by unforgettable violence, will never return to their homes”, Bulisova writes.

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Many of these refugees dreamed of America as a promised land, but the reality turned out to be very different from that. Once in the United States, they encounter the intricate, challenging, and often disillusioning process of transitioning to life in America.

“Many feel abandoned by the country they helped and risked their lives for; many are unemployed and facing dire financial crises; many yearn for the embrace of family and friends left behind; and many wish they could return home. Still fearful for their own safety and the safety of family members in Iraq, many refugees asked that I not reveal their faces or names”, Bulisova writes.

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“I want to feel like a human being again” is a sentence you can hear refugees repeating. It made me think of so many other refugee and exile stories – captured in stories, poems, novels. The same thought is present in all of them. Human being. To feel like a human being.

But for many – it just doesn’t seem to happen. There are no changes. They are, like Nadia Anjuman wrote – “lost in a sea of darkness, emptied of the thought of time, that eternal pit”. They are asking, like Mahmoud Darwish asked – “are we to remain like this, moving to the outside, in this orange day, only to touch the dark and vague inside?”

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In 2015, the escalation of armed conflict across the central governorates of Iraq, and the constantly changing security situation, resulted in new and secondary movements of internally displaced people across central Iraq and the Kurdistan Region of Iraq.

UNHCR reports that newly displaced people in Iraq find their limited financial resources quickly depleted by the increasing costs of accommodation and basic foods. The number of Iraqis seeking refuge in other countries is still rising and it will not stop, atleast not considering the (political) solutions we have so far.

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It makes me think of Riverbend, again and again. “In 2003, we were counting our lives in days and weeks. Would we make it to next month? Would we make it through the summer? Some of us did and many of us didn’t.

Back in 2003, one year seemed like a lifetime ahead. The idiots said, ‘Things will improve immediately.’ The optimists were giving our occupiers a year, or two… The realists said, ‘Things won’t improve for at least five years. And the pessimists? The pessimists said, ‘It will take ten years. It will take a decade'”, she wrote in 2013.

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Years went by, more than a decade passed. Iraq Body Count still counts the bodies, they still have a lot of work to do. The website says: Tuesday, 29 December: 36 killed. Monday, 28 December: 65 killed (30 children executed in Qayyarah).

Civilian deaths are almost doubling every year. What will the new year bring us? What will we bring to it? What will we do with all the possibilities? Can we make people feel like human beings again?

//all photos © Gabriela Bulisova//

For more on this and her other projects, visit Bulisova’s official website.

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art of resistance

Taste of Home: A Kitchen Run by Refugees.

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Taste of Home (Okus doma) is a social cooperative run by refugees, migrants and volunteers. It is a project I’ve been following for a long time now, and it makes me really happy its Indiegogo campaign has been launched today. Please – keep on reading, get involved, spread the word!

It is a project that could really help refugees and asylum seekers here in Croatia – it would provide them with a way to solve the biggest problem most of them face – the one of finding work, feeling useful and appreciated, being financially independent and able to share their knowledge and creativity.

Taste of Home gathers a group of individuals of all ages and backgrounds brought together by a common interest in food and cooking. They come from countries like Syria, Senegal, Nigeria, Ethiopia, Afghanistan, Croatia. Their efforts help refugees and migrants earn a living and become settled in Croatia. Through culinary and cultural exchange they learn new skills, make friends, and become part of the local culture.

They want to expand their program to include a catering business specialising in African, Arabic and Middle Eastern cuisine and they need our help to bring this project to life!

taste of home/all photos © Taste of Home/

Check out their Indiegogo campaign for more information (of course – aside from being happy for contributing to such a lovely story – there are some other perks for all of you who choose to get inolved and donate). Let’s make this happen! ♡

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