art of resistance, Qatar

Qatar’s First Anime & Manga Toy Store.

This month Doha News has a lovely story about a young Qatari couple Fatma Al-Jassim and Jassim Al-Mass who just opened Qatar’s first manga store, Hobby Chan. Chantelle D’Mello writes how the growing local subculture of anime aficionados is fueled in large part by dubbed Japanese cartoons that used to air on local television networks.

For me, this is a piece of art,” said Al-Jassim, referring to her collection of anime figures. “We grew up watching anime in Arabic. Japan has always been part of our childhood. There’s just something magical in these creations and in that world.”

aaasAl-Jassim and Al-Mass //image © Chantelle D’Mello/ Doha News//

Speaking to Doha News, Al-Mass said the shop is the result of around a year of planning and hard work.

We were motivated to open the store after we visited Japan for our honeymoon (last October). From concept to branding to creating the actual store, the process took around seven months. We were very fortunate to meet Danny Choo when we were at Comic Con in Dubai last year, and he put us in touch with vendors and wholesalers for our merchandise.”

Some of the major hurdles included wading through the paperwork needed to start a business in Qatar, and keeping in mind social norms, Al-Mass said, continuing:

“The whole thing was a challenge, to be honest, because we are doing something new. We were worried how society would respond. The mentality is that toys are just for kids, and not for adults, and we’re trying to break that. The legwork took around six months, while creating the store and getting everything in took barely a month.”

asedHobby Chan Store //image © Chantelle D’Mello/ Doha News//

Al-Jassim added that it has also been tough to coax fans to come out of ‘hiding’: “Most Qataris who are into this, don’t say it out loud. The fans are there, but the are quiet. They need a place where they can meet others like them. They need a place they can call home, and we hope to provide that for them,” she said.

The duo, both graphic designers, created the store’s design and layout themselves. “We wanted to bring an authentic Japanese feel here. We don’t just want to sell the products, but the experience too. Everything is compact because toy stores in Japan are compact,” said Al- Mass.

akod//image © Chantelle D’Mello/ Doha News//

Currently, the store stocks merchandise from Japanese cartoons and games popular in the region, including One Piece, Naruto, Fairy Tail, Gintama, Attack on Titan and Sailor Moon.

Read the full article by Chantelle D’Mello on Doha News. For more on the Hobby Chan store – visit their Instagram and their Twitter page.

ass/photo via Hobby Chan Instagram/

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art of resistance, Israeli - Palestinian conflict

Remembering Edward Said: In the name of Humanism.

“Humanism is the only – I would go so far as saying the final- resistance we have against the inhuman practices and injustices that disfigure human history.

Edward Said

The end of September (25th of September to be precise) marked eleven years without Edward Said, literary theorist and an intellectual who was a founding figure of the critical-theory field of Post-colonialism, and a strong advocate of political and human rights of the Palestinian people. His capital work, Orientalism,  preseneted the Western study of Eastern cultures and, in general, the framework of how The West perceives and represents The East.

It’s hard to label people as heroes in today’s world, but I would say Said was one. Living in exile, he chose not to look the other way and forget the injustice and struggle in his homeland, but to fight, to raise awareness, to dedicate his life, his time, dedicate it to better understanding, to fairness, even if it meant (and it often did) repeating things all the time, hitting the wall all over again. Even in his last years and months, sick and exhausted (over a decade fighting with leukemia), he was writing, giving three hour interviews, and finishing documentaries about Palestine. Now, that’s dedication.

Said’s great intellect and his inexhaustible energy are strongly missed. Many of the things Said wrote about – from  cultural representations of the East to the question of Palestine – remain a hot topic (and a burning issue) today. To commemorate Said and recall the magnitude of his works, I’ve decided to gather some of the great thoughts and excerpts from his books and essays, and provide links to some of his great interviews.

edward saidEdward Said /photo via reformancers/

No one today is purely one thing. Labels like Indian, or woman, or Muslim, or American are not more than starting-points, which if followed into actual experience for only a moment are quickly left behind. Imperialism consolidated the mixture of cultures and identities on a global scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly, exclusively, white, or Black, or Western, or Oriental. Yet just as human beings make their own history, they also make their cultures and ethnic identities. No one can deny the persisting continuities of long traditions, sustained habitations, national languages, and cultural geographies, but there seems no reason except fear and prejudice to keep insisting on their separation and distinctiveness, as if that was all human life was about. Survival in fact is about the connections between things; in Eliot’s phrase, reality cannot be deprived of the “other echoes [that] inhabit the garden.” It is more rewarding – and more difficult – to think concretely and sympathetically, contrapuntally, about others than only about “us.” But this also means not trying to rule others, not trying to classify them or put them in hierarchies, above all, not constantly reiterating how “our” culture or country is number one (or not number one, for that matter).” /from the book Culture and Imperialism/

“The Orient and Islam have a kind of extrareal, phenomenologically reduced status that puts them out of reach of everyone except the Western expert. From the beginning of Western speculation about the Orient, the one thing the Orient could not do was to represent itself. Evidence of the Orient was credible only after it had passed through and been made firm by the refining fire of the Orientalist’s work.” /from the book Orientalism/

In a great interview for Ha’aretz (Said mentions it in the above posted  interview Reflections on Exile with Brian Lamb), Said provides a detailed insight on the issue of Palestine. Ari Shavit describes the meeting with Said:

His hair has turned gray over the past year. The cancerous growth in his stomach bothers him too. Nevertheless, Edward Said is still a very handsome man, punctilious about his appearance and his dress. A silk handkerchief protrudes from his jacket pocket and the gold watch on his wrist glitters when he stretches out his hand to take a sip from the bottle of Pelegrino on his desk.

He exudes charm. The most widely known Palestinian intellectual in the West, he is warm, learned and cunning. Highly political, emotional, with a sense of humor. He skips lightly and gracefully from poetic quotations from Dante to Zionist-damning quotations from Sternhell – and back again. He takes obvious delight in moving between the various languages and between the cultural levels on which he lives. Between the different identities that skitter within him. As though celebrating his ability to be British and American and Arab all at the same time. Both a refugee and an aristocrat, both a subversive and a conservative, both a literateur and a propagandist, both European and Mediterranean.”

In an answer to the question “Is this a symmetrical conflict between two peoples who have equal rights over the land they share?” Said answers:

“There is no symmetry in this conflict. One would have to say that. I deeply believe that. There is a guilty side and there are victims. The Palestinians are the victims. I don’t want to say that everything that happened to the Palestinians is the direct result of Israel. But the original distortion in the lives of the Palestinians was introduced by Zionist intervention, which to us – in our narrative – begins with the Balfour Declaration and events thereafter that led to the replacement of one people by another. And it is continuing to this day. This is why Israel is not a state like any other. It is not like France, because there is continuing injustice. The laws of the State of Israel perpetuate injustice.

This is a dialectical conflict. But there is no possible synthesis. In this case, I don’t think it’s possible to ride out the dialectical contradictions. There is no way I know to reconcile the messianic-driven and Holocaust-driven impulse of the Zionists with the Palestinian impulse to stay on the land. These are fundamentally different impulses. This is why I think the essence of the conflict is its irreconcilability.

“Not one of our political spokespeople—the same is true of the Arabs since Abdel Nasser’s time—ever speaks with self-respect and dignity of what we are, what we want, what we have done, and where we want to go. In the 1956 Suez War, the French colonial war against Algeria, the Israeli wars of occupation and dispossession, and the campaign against Iraq, a war whose stated purpose was to topple a specific regime but whose real goal was the devastation of the most powerful Arab country. And just as the French, British, Israeli, and American campaign against Gamal Abdel Nasser was designed to bring down a force that openly stated as its ambition the unification of the Arabs into a very powerful independent political force.”  /from the book Power, Politics and Culture/

The Orient is watched, since its almost (but never quite) offensive behavior issues out of a reservoir of infinite peculiarity; the European, whose sensibility tours the Orient, is a watcher, never involved, always detached, always ready for new examples of what the Description de l’Egypte called “bizarre jouissance.” The Orient becomes a living tableau of queerness.” /from the book Orientalism/

In his essay Islam Through Western Eyes for The Nation in 1980, Said writes:

„The media have become obsessed with something called ‘Islam,’ which in their voguish lexicon has acquired only two meanings, both of them unacceptable and impoverishing. On the one hand, ‘Islam’ represents the threat of a resurgent atavism, which suggests not only the menace of a return to the Middle Ages but the destruction of what Senator Daniel Patrick Moynihan calls the democratic order in the Western world. On the other hand, ‘Islam’ is made to stand for a defensive counterresponse to this first image of Islam as threat, especially when, for geopolitical reasons, ‘good’ Moslems like the Saudi Arabians or the Afghan Moslem ‘freedom fighters’ against the Soviet Union are in question. Anything said in defense of Islam is more or less forced into the apologetic form of a plea for Islam’s humanism, its contributions to civilization, development and perhaps even to democratic niceness.“

He continues to say:

„The Islamic Orient today is important for its resources or for its geopolitical location. Neither of these, however, is interchangeable with the interests, needs or aspirations of the native Orientals. Ever since the end of World War II, the United States has been taking positions of dominance and hegemony once held in the Islamic world by Britain and France. With this replacement of one imperial system by another have gone two things: first, a remarkable burgeoning of academic and expert interest in Islam, and, second, an extraordinary revolution in the techniques available to the largely private-sector press and electronic journalism industries. Together these two phenomena, by which a huge apparatus of university, government and business experts study Islam and the Middle East and by which Islam has become a subject familiar to every consumer of news in the West, have almost entirely domesticated the Islamic world. Not only has that world become the subject of the most profound cultural and economic Western saturation in history–for no non-Western realm has been so dominated by the United States as the Arab-Islamic world is dominated today–by the exchange between Islam and the West, in this case the United States, is profoundly one-sided.“

In this interview with Salman Rusdie, Said talks about the Palestinian experience, saying that unlike other colonial experiences – we weren’t exploited, we were excluded. And that is the essence of the Palestinian struggle.  Let us remember that and let us remember Said.

The 2014 Edward Said Memorial Lecture was held yesterday and you can watch the full lecture by Judith Butler „What is the value of Palestinian lives?“ on The Jerusalem Fund

 

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art of resistance, Iraq

Al-Mutanabbi Street and the Healing Power of Poetry.

Manuscripts really do not burn. Seven years after the explosion of al-Mutanabbi street in Baghdad, the famous street of poets and booksellers is slowly recovering. I already wrote about the coalition of artists working on ‘An Inventory Of Al-Mutanabbi Street’, a project to “re-assemble” some of the “inventory” of the reading material that was lost in the bombing.

Today, I decided to gather photos and experiences from al-Mutanabbi street, before and after the bombing, to try to feel the atmosphere of this legendary street. Jason Florio in his photo essay Baghdad Café (Orion Magazine, 2003) observes how:

“Throughout the Al- Mutanabbi district, the restaurants are full, the fruit stands are fully stocked, and the red double-decker buses rolling by seem oddly familiar. There are no armed militiamen at intersections. No tanks grinding up the asphalt on Sharia Raschid…

The Sh’ah Bander and other nearby cafes are a haven from sanctions that have left many intellectuals driving Taxis for Dinar instead of punding keys of Crown typewriters. There is little money in Baghdad at all, even less for the purchase of words, but their passion for writing has not been dissuaded by the lack of financial renumeration. ‘We don’t need a full stomach, but we need to write’, says Wajeeh Abbas, who writes for next to nothing for the weekly magazine al-Itihad.

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/all images above © Jason Florio/

Here is the feature from the Radio Free Europe /Radio Liberty about the revival of al-Mutanabbi street in 2010. Poets are gathering again, reciting their poetry, celebrating love and life.

AFP

AFP2/al Mutanabbi street in 2012 and 2013, images © AFP/

lynsey addarioSeated near the entrance of the Shahbandar literary cafe , owner Haji Mohammed al Khashali gazes out to Al Mutanabbi street , a centuries old hub for booksellers and intellectuals. A 2007 car bomb near the cafe killed five of Khashali’s sons, whose portraits hang on the wall. /image © Lynsey Addario, After the Storm – Baghdad series/

It feels right to end this post with Taha Muhammad ALi, great Palestinian poet, reading his beautiful poem Revenge.

At times … I wish
I could meet in a duel
the man who killed my father
and razed our home,
expelling me
into
a narrow country.
And if he killed me,
I’d rest at last,
and if I were ready—
I would take my revenge!

But if he turned
out to be on his own—
cut off like a branch from a tree—
without a mother or father,
with neither a brother nor sister,
wifeless, without a child,
and without kin or neighbors or friends,
colleagues or companions,
then I’d add not a thing to his pain
within that aloneness—
not the torment of death,
and not the sorrow of passing away.
Instead I’d be content
to ignore him when I passed him by
on the street—as I
convinced myself
that paying him no attention
in itself was a kind of revenge.

Listen to Taha reading it beautifully in Arabic, and Peter Cole translating it greatly into English. It is a special experience. And do not forget – keep track of Iraq Body Count. Al-Mutanabbi street might be healing, but Iraq is far from being at peace (at last).

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art of resistance, Egypt

Picture Egypt.

Picture Masr (Egypt) is a tumblr page run by Mohamed Elshahed. He wishes to present “Egypt (mostly Cairo) beyond your Google image search results. The beauty of everyday life and all that is ordinary.” No pyramids, no camels, and no sphinx here.

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/all photos © Mohamed Elshahed/

Elshahed also runs Cairobserver. For more on him and his projects, read an interview on Mashallah News. For more on Picture Masr, got to tumblr.

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