Algeria, art of resistance

Kader Attia: Square Rocks | Rochers Carrés.

photo3

Kader Attia is a French artist of Algerian descent. He grew where most migrants grow up in Paris – in banlieues, the suburbs of the city. Attia uses his experience of living as a part of two cultures as a starting point to develop a dynamic practice that reflects on aesthetics and ethics of different cultures.

His series Square Rocks (Rochers Carrés)  includes Algerians sitting on huge, jumbled concrete blocks at a beach in Algiers that locals call “rochers carrés” (square rocks). It’s a beach of Bab El Oued, a poor neighborhood in Algiers, where the government had erected these huge concrete blocks to prevent young men and women from taking boats across the Mediterranean sea to Europe.

photo1

Photo installation by Attia presents an actual architectural structure that sets a boundary, a no-trespassing zone. In each photograph, you see one or two young men or teenagers gazing pensively at the Mediterranean and beyond, presumably toward Europe and its questionable promise of a better life.

photo2

As Gregory Volk writes: “One man, viewed from behind, sits on a block’s sharp edge watching as two freighters pass by on the distant horizon. Two shirtless boys standing in slightly awkward teenage postures look half ready to do the impossible: dive into the sea and swim to Paris, spurred by fantasies of money, opportunities and glamour.”

photo6

It’s been seven years since Attia took these photos. Yes, they’re still relevant. It’s hard to imagine they will stop being relevant anytime soon. There are millions of people sitting and waiting, still being allowed to do only that. And there are many Square Rocks, all over the world.

There are so many people still looking out to the horizon, seeing it as space limited, a wall, a boomerang. And yet, those walls, limitations, boomerangs, remain invisible to people looking from the other shore. They do not know, or don’t care enough to know, that the horizon has its ending. Behind the blue line, a square rock and people waiting.

photo4

//all photos © Kader Attia//

For more on Kader Attia and his work, see his official website.

Advertisements
Standard
Algeria, art of resistance, Morocco, Tunisia

The Book To Read: The French Intifada.

Aulnay-sous-Bois-Nov-2005-Photo-by-Leopold-Lambert/Danger Effondrement (Danger Collapse) in Aulnay-sous-Bois (North-Eastern Paris banlieue), photo © Léopold Lambert, 2005/

I was really looking forward to reading Andrew Hussey’s new book The French Intifada: The Long War Between France and its Arabs, and it didn’t dissapoint me, on the contrary – it held up to my expectations.

To fully understand both the social and political pressures wracking contemporary France – and all of Europe – as well as major events from the Arab Spring in the Middle East to the tensions in Mali, Andrew Hussey argues that we have to look beyond the confines of domestic horizons.

As much as unemployment, economic stagnation, and social deprivation exacerbate the ongoing turmoil in the banlieues (the urban hotspots for tension and bouts of rioting), Hussey describes how the root of the problem lies elsewhere: in the continuing fallout from Europe’s colonial era.

In banlieues in Paris, Hussey writes, there is a lot of anger, young men willing to turn themselves into Soldiers for God. The rioters, wreckers, even the killers of the banlieues are looking primarily for justice – their (hi)story has deep wounds all over it.

the french

Hussey knows his subject well and it is evident in his writing. He identifies the current situation in France today, dissects it like a surgeon. Predominantly white, well maintained, metropolitan cities bordered by run down and poorly funded suburbs (banlieues) housing significant numbers of Arab and North African Muslim migrants.

“For all their modernity, these urban spaces are designed almost like vast prison camps. The banlieue is the most literal representation of otherness – the otherness of exclusion, of the repressed, of the fearful and despised – all kept physically and culturally away from the mainstream of French ‘civilization'”, Hussey writes.

The French Intifada is very readable, full of examples, little stories, interesting references – Hussey easily moves from Zinedine Zidane to Albert Camus and Frantz Fanon.

A large amount of anger and hatred amongst the French “immigrant” population stems from the French history in Algeria, Morocco and Tunisia. Whilst none of the European power’s empires can claim to be truly benevolent, French conduct in all three nations was devastating, particularly in Algeria.

The great portion of the book is dedicated to Algeria and the conduct of the French colons there. That is understandable since Algeria really was (and still is) the country when it comes to French colonialism.

Hussey explains how the development of the ethnically French Pied-Noirs in Algeria over the years has also contributed much antagonism and anger, both among the French and the Algerians themselves.

Hussey does what’s necessary (and so often lacking in media representations and public dicussions) – he goes back through history, he offers context, he tries to understand why and how something happened, and not just what happened.

The French Intifada shows that the defining conflict of the twenty-first century will not be between Islam and the West (the so-called clash of the civilizations) but between two dramatically different experiences of the world – the colonizers and the colonized.

• • •

Previous The Book To Read:

The Librarian of Basra

A Hand Full Of Stars

Palestinian Walks: Notes On A Vanishing Landscape

Night Draws Near

Standard
Algeria, art of resistance

Frantz Fanon: Concerning Violence (part two).

The following is an excerpt from Frantz Fanon’s classic The Wretched of the Earth. It is a continuation of an excerpt I posted two months ago.

F.-Fanon/Frantz Fanon, photo via Zimbabwe Daily/

“Monsieur Meyer could state seriously in the French National Assembly that the Republic must not be prostituted by allowing the Algerian people to become part of it. All values, in fact, are irrevocably poisoned and diseased as soon as they are allowed in contact with the colonized race. The customs of the colonized people, their traditions, their myths — above all, their myths–are the very sign of that poverty of spirit and of their constitutional depravity. That is why we must put the DDT which destroys parasites, the bearers of disease, on the same level as the Christian religion which wages war on embryonic heresies and instincts, and on evil as yet unborn. The recession of yellow fever and the advance of evangelization form part of the same balance sheet. But the triumphant communiqués from the missions are in fact a source of information concerning the implantation of foreign influences in the core of the colonized people. I speak of the Christian religion, and no one need be astonished. The Church in the colonies is the white people’s Church, the foreigner’s Church. She does not call the native to God’s ways but to the ways of the white man, of the master, of the oppressor. And as we know, in this matter many are called but few chosen.

At times this Manicheism goes to its logical conclusion and dehumanizes the native, or to speak plainly, it turns him into an animal. In fact, the terms the settler uses when he mentions the native are zoological terms. He speaks of the yellow man’s reptilian motions, of the stink of the native quarter, of breeding swarms, of foulness, of spawn, of gesticulations. When the settler seeks to describe the native fully in exact terms he constantly refers to the bestiary. The European rarely hits on a picturesque style; but the native, who knows what is in the mind of the settler, guesses at once what he is thinking of.

Those hordes of vital statistics, those hysterical masses, those faces bereft of all humanity, those distended bodies which are like nothing on earth, that mob without beginning or end, those children who seem to belong to nobody, that laziness stretched out in the sun, that vegetative rhythm of life–all this forms part of the colonial vocabulary. General de Gaulle speaks of ‘the yellow multitudes’ and François Mauriac of the black, brown, and yellow masses which soon will be unleashed. The native knows all this, and laughs to himself every time he spots an allusion to the animal world in the other’s words. For he knows that he is not an animal; and it is precisely at the moment he realizes his humanity that he begins to sharpen the weapons with which he will secure its victory.

As soon as the native begins to pull on his moorings, and to cause anxiety to the settler, he is handed over to well-meaning souls who in cultural congresses point out to him the specificity and wealth of Western values. But every time Western values are mentioned they produce in the native a sort of stiffening or muscular lockjaw. During the period of decolonization, the natives’s reason is appealed to. He is offered definite values, he is told frequently that decolonization need not mean regression, and that he must put his trust in qualities which are welltried, solid, and highly esteemed.

But it so happens that when the native hears a speech about Western culture he pulls out his knife–or at least he makes sure it is within reach. The violence with which the supremacy of white values is affirmed and the aggressiveness which has permeated the victory of these values over the ways of life and of thought of the native mean that, in revenge, the native laughs in mockery when Western values are mentioned in front of him. In the colonial context the settler only ends his work of breaking in the native when the latter admits loudly and intelligibly the supremacy of the white man’s values. In the period of decolonization, the colonized masses mock at these very values, insult them, and vomit them up.

This phenomenon is ordinarily masked because, during the period of decolonization, certain colonized intellectuals have begun a dialogue with the bourgeoisie of the colonialist country. During this phase, the indigenous population is discerned only as an indistinct mass. The few native personalities whom the colonialist bourgeois have come to know here and there have not sufficient influence on that immediate discernment to give rise to nuances. On the other hand, during the period of liberation, the colonialist bourgeoisie looks feverishly for contacts with the elite and it is with these elite that the familiar dialogue concerning values is carried on.

The colonialist bourgeoisie, when it realizes that it is impossible for it to maintain its domination over the colonial countries, decides to carry out a rearguard action with regard to culture, values, techniques, and so on. Now what we must never forget is that the immense majority of colonized peoples is oblivious to these problems. For a colonized people the most essential value, because the most concrete, is first and foremost the land: the land which will bring them bread and, above all, dignity. But this dignity has nothing to do with the dignity of the human individual: for that human individual has never heard tell of it. All that the native has seen in his country is that they can freely arrest him, beat him, starve him: and no professor of ethics, no priest has ever come to be beaten in his place, nor to share their bread with him.

As far as the native is concerned, morality is very concrete; it is to silence the settler’s defiance, to break his flaunting violence–in a word, to put him out of the picture. The wellknown principle that all men are equal will be illustrated in the colonies from the moment that the native claims that he is the equal of the settler. One step more, and he is ready to fight to be more than the settler. In fact, he has already decided to eject him and to take his place; as we see it, it is a whole material and moral universe which is breaking up.

The intellectual who for his part has followed the colonialist with regard to the universal abstract will fight in order that the settler and the native may live together in peace in a new world. But the thing he does not see, precisely because he is permeated by colonialism and all its ways of thinking, is that the settler, from the moment that the colonial context disappears, has no longer any interest in remaining or in co-existing. It is not by chance that, even before any negotiation between the Algerian and French governments has taken place, the European minority which calls itself ‘liberal’ has already made its position clear: it demands nothing more nor less than twofold citizenship. By setting themselves apart in an abstract manner, the liberals try to force the settler into taking a very concrete jump into the unknown. Let us admit it, the settler knows perfectly well that no phraseology can be a substitute for reality.

Thus the native discovers that his life, his breath, his beating heart are the same as those of the settler. He finds out that the settler’s skin is not of any more value than a native’s skin; and it must be said that this discovery shakes the world in a very necessary manner. All the new, revolutionary assurance of the native stems from it. For if, in fact, my life is worth as much as the settler’s, his glance no longer shrivels me up nor freezes me, and his voice no longer turns me into stone. I am no longer on tenterhooks in his presence; in fact, I don’t give a damn for him. Not only does his presence no longer trouble me, but I am already preparing such efficient ambushes for him that soon there will be no way out but that of flight.

We have said that the colonial context is characterized by the dichotomy which it imposes upon the whole people. Decolonization unifies that people by the radical decision to remove from it its heterogeneity, and by unifying it on a national, sometimes a racial, basis. We know the fierce words of the Senegalese patriots, referring to the maneuvers of their president, Senghor: ‘We have demanded that the higher posts should be given to Africans; and now Senghor is Africanizing the Europeans.’ That is to say that the native can see clearly and immediately if decolonization has come to pass or not, for his minimum demands are simply that the last shall be first.

But the native intellectual brings variants to this petition, and, in fact, he seems to have good reasons: higher civil servants, technicians, specialists–all seem to be needed. Now, the ordinary native interprets these unfair promotions as so many acts of sabotage, and he is often heard to declare: ‘It wasn’t worth while, then, our becoming independent…’

In the colonial countries where a real struggle for freedom has taken place, where the blood of the people has flowed and where the length of the period of armed warfare has favored the backward surge of intellectuals toward bases grounded in the people, we can observe a genuine eradication of the superstructure built by these intellectuals from the bourgeois colonialist environment. The colonialist bourgeoisie, in its narcissistic dialogue, expounded by the members of its universities, had in fact deeply implanted in the minds of the colonized intellectual that the essential qualities remain eternal in spite of all the blunders men may make: the essential qualities of the West, of course.

The native intellectual accepted the cogency of these ideas, and deep down in his brain you could always find a vigilant sentinel ready to defend the Greco-Latin pedestal. Now it so happens that during the struggle for liberation, at the moment that the native intellectual comes into touch again with his people, this artificial sentinel is turned into dust. All the Mediterranean values–the triumph of the human individual, of clarity, and of beauty–become lifeless, colorless knickknacks. All those speeches seem like collections of dead words; those values which seemed to uplift the soul are revealed as worthless, simply because they have nothing to do with the concrete conflict in which the people is engaged.

Individualism is the first to disappear. The native intellectual had learnt from his masters that the individual ought to express himself fully. The colonialist bourgeoisie had hammered into the native’s mind the idea of a society of individuals where each person shuts himself up in his own subjectivity, and whose only wealth is individual thought. Now the native who has the opportunity to return to the people during the struggle for freedom will discover the falseness of this theory. The very forms of organization of the struggle will suggest to him a different vocabulary. Brother, sister, friend–these are words outlawed by the colonialist bourgeoisie, because for them my brother is my purse, my friend is part of my scheme for getting on.

The native intellectual takes part, in a sort of auto-da-fé, in the destruction of all his idols: egoism, recrimination that springs from pride, and the childish stupidity of those who always want to have the last word. Such a colonized intellectual, dusted over by colonial culture, will in the same way discover the substance of village assemblies, the cohesion of people’s committees, and the extraordinary fruitfulness of local meetings and groupments. Henceforward, the interests of one will be the interests of all, for in concrete fact everyone will be discovered by the troops, everyone will be massacred–or everyone will be saved. The motto ‘look out for yourself,’ the atheist’s method of salvation, is in this context forbidden.

Self-criticism has been much talked about of late, but few people realize that it is an African institution. Whether in the djemaas of northern Africa or in the meetings of western Africa, tradition demands that the quarrels which occur in a village should be settled in public. It is communal self-criticism, of course, and with a note of humor, because everybody is relaxed, and because in the last resort we all want the same things. But the more the intellectual imbibes the atmosphere of the people, the more completely he abandons the habits of calculation, of unwonted silence, of mental reservations, and shakes off the spirit of concealment. And it is true that already at that level we can say that the community triumphs, and that it spreads its own light and its own reason.

But it so happens sometimes that decolonization occurs in areas which have not been sufficiently shaken by the struggle for liberation, and there may be found those same know-all, smart, wily intellectuals. We find intact in them the manners and forms of thought picked up during their association with the colonialist bourgeoisie. Spoilt children of yesterday’s colonialism and of today’s national governments, they organize the loot of whatever national resources exist. Without pity, they use today’s national distress as a means of getting on through scheming and legal robbery, by import-export combines, limited liability companies, gambling on the stock exchange, or unfair promotion. They are insistent in their demands for the nationalization of commerce, that is to say the reservation of markets and advantageous bargains for nationals only. As far as doctrine is concerned, they proclaim the pressing necessity of nationalizing the robbery of the nation. In this arid phase of national life, the so-called period of austerity, the success of their depredations is swift to call forth the violence and anger of the people. For this same people, poverty-stricken yet independent, comes very quickly to possess a social conscience in the African and international context of today; and this the petty individualists will quickly learn.

In order to assimilate and to experience the oppressor’s culture, the native has had to leave certain of his intellectual possessions in pawn. These pledges include his adoption of the forms of thought of the colonialist bourgeoisie. This is very noticeable in the inaptitude of the native intellectual to carry on a two-sided discussion; for he cannot eliminate himself when confronted with an object or an idea. On the other hand, when once he begins to militate among the people he is struck with wonder and amazement; he is literally disarmed by their good faith and honesty. The danger that will haunt him continually is that of becoming the uncritical mouthpiece of the masses; he becomes a kind of yes-man who nods assent at every word coming from the people, which he interprets as considered judgments. Now, the fellah, the unemployed man, the starving native do not lay a claim to the truth; they do not say that they represent the truth, for they are the truth.

Objectively, the intellectual behaves in this phase like a common opportunist. In fact he has not stopped maneuvering. There is never any question of his being either rejected or welcomed by the people. What they ask is simply that all resources should be pooled. The inclusion of the native intellectual in the upward surge of the masses will in this case be differentiated by a curious cult of detail. That is not to say that the people are hostile to analysis; on the contrary, they like having things explained to them, they are glad to understand a line of argument and they like to see where they are going. But at the beginning of his association with the people the native intellectual over-stresses details and thereby comes to forget that the defeat of colonialism is the real object of the struggle.

Carried away by the multitudinous aspects of the fight, he tends to concentrate on local tasks, performed with enthusiasm but almost always too solemnly. He fails to see the whole of the movement all the time. He introduces the idea of special disciplines, of specialized functions, of departments within the terrible stone crusher, the fierce mixing machine which a popular revolution is. He is occupied in action on a particular front, and it so happens that he loses sight of the unity of the movement. Thus, if a local defeat is inflicted, he may well be drawn into doubt, and from thence to despair. The people, on the other hand, take their stand from the start on the broad and inclusive positions of bread and the land: how can we obtain the land, and bread to eat? And this obstinate point of view of the masses, which may seem shrunken and limited, is in the end the most worthwhile and the most efficient mode of procedure.”

Standard
Algeria, art of resistance

Frantz Fanon: Concerning Violence (part one).

The following is an excerpt from Frantz Fanon’s great book The Wretched of the Earth.

F.-Fanon/Frantz Fanon, photo via Zimbabwe Daily/

“National liberation, national renaissance, the restoration of nationhood to the people, commonwealth: whatever may be the headings used or the new formulas introduced, decolonization is always a violent phenomenon. At whatever level we study it — relationships between individuals, new names for sports clubs, the human admixture at cocktail parties, in the police, on the directing boards of national or private banks — decolonization is quite simply the replacing of a certain ‘species’ of men by another ‘species’ of men.

Without any period of transition, there is a total, complete, and absolute substitution. It is true that we could equally well stress the rise of a new nation, the setting up of a new state, its diplomatic relations, and its economic and political trends. But we have precisely chosen to speak of that kind of tabula rasa which characterizes at the outset all decolonization. Its unusual importance is that it constitutes, from the very first day, the minimum demands of the colonized.

To tell the truth, the proof of success lies in a whole social structure being changed from the bottom up. The extraordinary importance of this change is that it is willed, called for, demanded. The need for this change exists in its crude state, impetuous and compelling, in the consciousness and in the lives of the men and women who are colonized. But the possibility of this change is equally experienced in the form of a terrifying future in the consciousness of another ‘species’ of men and women: the colonizers.

Decolonization, which sets out to change the order of the world, is, obviously, a program of complete disorder. But it cannot come as a result of magical practices, nor of a natural shock, nor of a friendly understanding. Decolonization, as we know, is a historical process: that is to say that it cannot be understood, it cannot become intelligible nor clear to itself except in the exact measure that we can discern the movements which give it historical form and content.

Decolonization is the meeting of two forces, opposed to each other by their very nature, which in fact owe their originality to that sort of substantification which results from and is nourished by the situation in the colonies. Their first encounter was marked by violence and their existence together–that is to say the exploitation of the native by the settler–was carried on by dint of a great array of bayonets and cannons. The settler and the native are old acquaintances. In fact, the settler is right when he speaks of knowing ‘them’ well. For it is the settler who has brought the native into existence and who perpetuates his existence. The settler owes the fact of his very existence, that is to say, his property, to the colonial system.

Decolonization never takes place unnoticed, for it influences individuals and modifies them fundamentally. It transforms spectators crushed with their inessentiality into privileged actors, with the grandiose glare of history’s floodlights upon them. It brings a natural rhythm into existence, introduced by new men, and with it a new language and a new humanity. Decolonization is the veritable creation of new men. But this creation owes nothing of its legitimacy to any supernatural power; the ‘thing’ which has been colonized becomes man during the same process by which it frees itself.

In decolonization, there is therefore the need of a complete calling in question of the colonial situation. If we wish to describe it precisely, we might find it in the wellknown words: ‘The last shall be first and the first last.’ Decolonization is the putting into practice of this sentence. That is why, if we try to describe it, all decolonization is successful.

The naked truth of decolonization evokes for us the searing bullets and bloodstained knives which emanate from it. For if the last shall be first, this will only come to pass after a murderous and decisive struggle between the two protagonists. That affirmed intention to place the last at the head of things, and to make them climb at a pace (too quickly, some say) the well-known steps which characterize an organized society, can only triumph if we use all means to turn the scale, including, of course, that of violence.

You do not turn any society, however primitive it may be, upside down with such a program if you have not decided from the very beginning, that is to say from the actual formulation of that program, to overcome all the obstacles that you will come across in so doing. The native who decides to put the program into practice, and to become its moving force, is ready for violence at all times. From birth it is clear to him that this narrow world, strewn with prohibitions, can only be called in question by absolute violence.

The colonial world is a world divided into compartments. It is probably unnecessary to recall the existence of native quarters and European quarters, of schools for natives and schools for Europeans; in the same way we need not recall apartheid in South Africa. Yet, if we examine closely this system of compartments, we will at least be able to reveal the lines of force it implies. This approach to the colonial world, its ordering and its geographical layout will allow us to mark out the lines on which a decolonized society will be reorganized.

The colonial world is a world cut in two. The dividing line, the frontiers are shown by barracks and police stations. In the colonies it is the policeman and the soldier who are the official, instituted go-betweens, the spokesmen of the settler and his rule of oppression. In capitalist societies the educational system, whether lay or clerical, the structure of moral reflexes handed down from father to son, the exemplary honesty of workers who are given a medal after fifty years of good and loyal service, and the affection which springs from harmonious relations and good behavior–all these aesthetic expressions of respect for the established order serve to create around the exploited person an atmosphere of submission and of inhibition which lightens the task of policing considerably.

In the capitalist countries a multitude of moral teachers, counselors and ‘bewilderers’ separate the exploited from those in power. In the colonial countries, on the contrary, the policeman and the soldier, by their immediate presence and their frequent and direct action maintain contact with the native and advise him by means of rifle butts and napalm not to budge. It is obvious here that the agents of government speak the language of pure force. The intermediary does not lighten the oppression, nor seek to hide the domination; he shows them up and puts them into practice with the clear conscience of an upholder of the peace; yet he is the bringer of violence into the home and into the mind of the native.

The zone where the natives live is not complementary to the zone inhabited by the settlers. The two zones are opposed, but not in the service of a higher unity. Obedient to the rules of pure Aristotelian logic, they both follow the principle of reciprocal exclusivity. No conciliation is possible, for of the two terms, one is superfluous. The settlers’ town is a strongly built town, all made of stone and steel. It is a brightly lit town; the streets are covered with asphalt, and the garbage cans swallow all the leavings, unseen, unknown and hardly thought about. The settler’s feet are never visible, except perhaps in the sea; but there you’re never close enough to see them. His feet are protected by strong shoes although the streets of his town are clean and even, with no holes or stones. The settler’s town is a well-fed town, an easygoing town; its belly is always full of good things. The settlers’ town is a town of white people, of foreigners.

The town belonging to the colonized people, or at least the native town, the Negro village, the medina, the reservation, is a place of ill fame, peopled by men of evil repute. They are born there, it matters little where or how; they die there, it matters not where, nor how. It is a world without spaciousness; men live there on top of each other, and their huts are built one on top of the other. The native town is a hungry town, starved of bread, of meat, of shoes, of coal, of light. The native town is a crouching village, a town on its knees, a town wallowing in the mire. It is a town of niggers and dirty Arabs.

The look that the native turns on the settler’s town is a look of lust, a look of envy; it expresses his dreams of possession — all manner of possession: to sit at the settler’s table, to sleep in the settler’s bed, with his wife if possible. The colonized man is an envious man. And this the settler knows very well; when their glances meet he ascertains bitterly, always on the defensive, ‘They want to take our place.’ It is true, for there is no native who does not dream at least once a day of setting himself up in the settler’s place.

This world divided into compartments, this world cut in two is inhabited by two different species. The originality of the colonial context is that economic reality, inequality, and the immense difference of ways of life never come to mask the human realities. When you examine at close quarters the colonial context, it is evident that what parcels out the world is to begin with the fact of belonging to or not belonging to a given race, a given species. In the colonies the economic substructure is also a superstructure. The cause is the consequence; you are rich because you are white, yon are white because you are rich. This is why Marxist analysis should always be slightly stretched every time we have to do with the colonial problem.

Everything up to and including the very nature of precapitalist society, so well explained by Marx, must here be thought out again. The serf is in essence different from the knight, but a reference to divine right is necessary to legitimize this statutory difference. In the colonies, the foreigner coming from another country imposed his rule by means of guns and machines. In defiance of his successful transplantation, in spite of his appropriation, the settler still remains a foreigner. It is neither the act of owning factories, nor estates, nor a bank balance which distinguishes the governing classes. The governing race is first and foremost those who come from elsewhere, those who are unlike the original inhabitants, ‘the others.’

The violence which has ruled over the ordering of the colonial world, which has ceaselessly drummed the rhythm for the destruction of native social forms and broken up without reserve the systems of reference of the economy, the customs of dress and external life, that same violence will be claimed and taken over by the native at the moment when, deciding to embody history in his own person, he surges into the forbidden quarters. To wreck the colonial world is henceforward a mental picture of action which is very clear, very easy to understand and which may be assumed by each one of the individuals which constitute the colonized people. To break up the colonial world does not mean that after the frontiers have been abolished lines of communication will be set up between the two zones. The destruction of the colonial world is no more and no less that the abolition of one zone, its burial in the depths of the earth or its expulsion from the country.

The natives’ challenge to the colonial world is not a rational confrontation of points of view. It is not a treatise on the universal, but the untidy affirmation of an original idea propounded as an absolute. The colonial world is a Manichean world. It is not enough for the settler to delimit physically, that is to say with the help of the army and the police force, the place of the native. As if to show the totalitarian character of colonial exploitation the settler paints the native as a sort of quintessence of evil.

Native society is not simply described as a society lacking in values. It is not enough for the colonist to affirm that those values have disappeared from, or still better never existed in, the colonial world. The native is declared insensible to ethics; he represents not only the absence of values, but also the negation of values. He is, let us dare to admit, the enemy of values, and in this sense he is the absolute evil. He is the corrosive element, destroying all that comes near him; he is the deforming element, disfiguring all that has to do with beauty or morality; he is the depository of maleficent powers, the unconscious and irretrievable instrument of blind forces.”

• • •

For those interested in more – there is also a good documentary Concerning Violence (2014) based on Fanon’s The Wretched of the Earth book – precisely the chapter Concerning Violence (hence the name of the film).

Standard
Algeria, art of resistance

Remembering Assia Djebar: I Write Against Erasure.

Assia Djebar was the pen name of Fatima-Zohra Imalayen, an Algerian novelist, poet, translator and filmmaker. She died a month ago, at the age of seventy-eight.

Assia_Djebar/Assia Djebar, photo via Seven Stories/

Djebar is considered to be one of North Africa’s pre-eminent and most influential writers. She was elected to the Académie Française in 2005, the first writer from the Maghreb to achieve such recognition. Djebar moved to France to study when she was eighteen. She became the first Algerian woman to be admitted to the country’s top literary university, the Ecole Normale Superieure. Her first book was published in 1957, when she was just twenty-one.

Djebar was often criticized for writing in French, the language of the colonizers, particularly after the independence of Algeria. Still, there are those who feel that was a form of testimony that cannot be ignored, a form of writing that cannot be bypassed with explanations like ‘we don’t understand it‘ or ‘it’s not available’. It was out there, available for colonizers to read. And the fact stays – French was Djebar’s language more than Arabic was, she felt comfortable expressing herself in French.

So yes, she did write in French, but in her works she pays respect to her Berber roots and writes about her homeland writhed in pain. Djebar’s political stance is anti-patriarchal as much as it is anti-colonial; she wrote extensively about the issues women face in Algeria (and outside Algeria), and it made her an ideal poster face for the Western feminists. But Djebar didn’t always play by their rules, and she tried to dig deeper in her criticism. By deeper I mean to talk about more than looks, to talk about more than burkas -which is usually the longest range of Western feminism in relation to the women’s issues in North Africa and the Middle East – like Arundhati Roy writes; “The battles, as usual, have been played out on women’s bodies, extruding Botox at one end and burkas at the other. (And then there are those who suffer the double whammy, Botox and the burka.)”

I believe Djebar managed to offer more than those botox-burkas debates. She did not perceive the oppression of women as inherent to the Muslim faith but rather as a social distortion of power, and she tried to illustrate that in her writings. She exposed the hypocrisy of the patriarchal elite and the brutality of colonialism, bound together in vicious circles.

The theme present in most of her novels is memory. As she writes in Fantasia:

Memory purges and purifies the sounds of childhood; we are cocooned by childhood until the discovery of sensuality, which washes over us and gradually bedazzles us … Voiceless, cut off from my mother’s words by some trick of memory, I managed to pass through the dark waters of the corridor, miraculously inviolate, not even guessing at the enclosing walls. The shock of the first words blurted out: the truth emerging from a break in my stammering voice. From what nocturnal reef of pleasure did I manage to wrest this truth?

I blew the space within me to pieces, a space filled with desperate voiceless cries, frozen long ago in a prehistory of love. Once I had discovered the meaning of the words – those same words that are revealed to the unveiled body – I cut myself adrift. I set off at dawn, with my little girl’s hand in mine.”

Memory is important – important for writing, important for life – memory makes up life. In a 2010 interview, she stated she writes against erasure:

“Because a sudden fear seized me of seeing this shard of life, this moment of real life – with its grace, or the hollow of despair in an anonymous story, yes, sometimes fear grips me that these fragile moments of life will fade away. It seems that I write against erasure. Most often, in this flow of a past life, of desperate or brilliant experience, illuminating, a spark, shy at first, then hardened obstinacy makes me say: ‘this must be fixed, this should not plunge into the night, into oblivion or colorless indifference!’

She will be remembered.

• • •

Previous Remembering… sessions:

Remembering Howard Zinn: To Be Hopeful in Bad Times

Remembering Pablo Neruda: Pablo Neruda, Presente!

Remembering Nadia Anjuman: One Day, My Hands Will Become Weavers

Remembering Meena Kamal: Hope is The Thing With Feathers

and more.

Standard
Algeria, art of resistance

The story of Independence: Ali Zamoum’s family (Algeria).

Juliette Guillemot is a French photographer, with many interesting photo series on Picturetank. One of them is Ali Zamoum’s family (Algeria).

Artist statement:

During two visits to Algeria, Guillemot was immersed in the lives of a Kabyle family, the Zamoum family, in the village where the declaration of 1 November 1954 was first printed, marking the start of the War of Independance. Ali Zamoum was the one responsible for printing the declaration, before becoming leader of the resistance in Tizi Ouzou. Ali Zamoum died at the end of summer in 2004. However, the women of the family continue resolutedly to uphold the household and replace the men’s labour in the fields. The men are either deceased, or their professional occupations keep them far from home.

tumblr_n2phfxfn3J1rouua1o1_1280

tumblr_n2phfxfn3J1rouua1o2_1280

tumblr_n2phfxfn3J1rouua1o3_1280

tumblr_n2phfxfn3J1rouua1o6_1280

tumblr_n2phfxfn3J1rouua1o7_1280

// all photos © Juliette Guillemot/Picturetank //

For more on this project and other works by Guillemot, go to Picturetank.

Standard
Algeria, art of resistance

Portraits de Femmes, Algeria.

In 1960 Marc Garanger was stationed against his will in Algeria, and managed to avoid combat by becoming a photographer in the French army.His job was to produce images for new mandatory ID cards, and villagers were forced to sit for him. As a part of its unsuccessful effort to block the Algerian push for independence, the French government introduced identity cards as a security measure – all Algerians had to carry an ID card. However the portraits Garanger produced in his series Women Unveiled were unlike most portraits. The women did not wish to be photographed, and were also forcibly unveiled. They were forced to pose before a photographer who was a serving French soldier and who was accompanied by other French troops.

“I would come within three feet of them,” Garanger remembers. “They would be unveiled. In a period of ten days, I made two thousand portraits, two hundred a day. The women had no choice in the matter. Their only way of protesting was through their look.”

Decades later, Omar D.  responded to Garanger’s series, with his own vision of a country with a rich, yet unknown cultural heritage, by showing the veiled women of Algeria, in the majesty in their traditional costumes. With Potraits de Femmes series, he tries to restore the dignity and respect such women were denied within Garanger’s photos.

Here are some of his photos. Take a look at these beautiful, beautiful ladies.

tumblr_mxmboj9iak1rouua1o3_r1_500

tumblr_mxmboj9iak1rouua1o4_r1_1280

tumblr_mxmboj9iak1rouua1o6_r1_500

tumblr_mxmboj9iak1rouua1o7_r2_1280

tumblr_mxmboj9iak1rouua1o9_r2_1280

tumblr_mxmboj9iak1rouua1o10_r1_1280all images © Omar D.

 

Standard