art of resistance, Palestine, Syria

The Book To Read: Victims Of A Map.

7-berlin-biennale-khaled-jarrar-briefmarken-2012-651x940/photo © Khaled Jarrar/

Victims of a Map is a beautiful bilingual anthology of Arabic poetry, including works of Mahmoud Darwish, Samih al Qasim and Adonis. The three of them are absolute stars in the world of (Arabic) poetry.

Alongside the original Arabic, this book includes thirteen poems by Darwish and a long work by Adonis written during the Beirut siege in 1982 – never before published. It’s really a labour of love and you can feel it in every page (lovely translation by Abudllah al-Udhari).

In The Desert (Diary of Beirut siege), great Syrian poet Adonis writes:

“My era tells me bluntly

you do not belong

I answer bluntly

I do not belong

I try to understand you

Now I am a shadow

Lost in the forest

Of a skull”

Most of the poetry by Adonis and Darwish and al-Qasim particularly, is written in a simple, everday language, but it speaks of the things greater than life – the hollowness of isolation, inevitability of “destiny”, solidity of “roots”, overwhelming hopelessness and permanent yearning for freedom.

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In We are Entitled to Love the End of Autumn Darwish writes:

“We are entitled to love the end of autumn and ask:

Is there room for another autumn in the field to rest our bodies like coal?

An autumn lowering its leaves like gold. I wish we were fig leaves

I wish we were an abandoned plant

To witness the change of seasons. I wish we didn’t say goodbye

To the south of the eye so as to ask what

Our fathers had asked when they flew on the tip of the spear”

As it is written in the introduction of this book, the poems in Victims of a Map express not only the fate of Arabs, Syrians or Palestinians, but also of the humanity itself, trapped in a contemporary tragedy. The resistance poetry by Darwish, al-Qasim and Adonis, raises a local tragedy to a level of a universal one.

Just think about it – how many people are today, and in how many ways – victims of a map? In The Story of a City, al-Qasim writes:

“A blue city

dreamt of tourists

shopping day after day.

A dark city

hates tourists

scanning cafes with rifles.”

Read this beautiful little anthology! Like it is often the case with great poetry books – you’ll never finish reading it and it is worth all of your time.

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Previous The Book To Read:

War Works Hard

Desert Songs Of The Night

In The Country Of Men

After Zionism

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art of resistance, Palestine

Playlist: Ruba Shamshoum.

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Ruba Shamshoum is an incredibly talented Palestinan musician, currently living in Dublin. She was born and raised in Nazareth, and went to Ireland to study jazz performance. Shamshoum is influenced by jazz, rock, hip hop and naturally by Middle Eastern music.

She started composing and writing her own material in 2011, including the song Ya Leil La Trouh for Annmarie Jacir’s film When I Saw You (it was included in my list of must-see Palestinian movies two years ago), and the sweet sweet tune Fuqaati (My Bubble).

You can listen to Fuqaati here (and see its lovely animated video) – it’s a true delight!

Previous Playlist:

Jerusalem in my heart

Maghawir by Mashrou’ Leila

Selda Bağcan

Saul Williams

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art of resistance, Iran

Time Travel Booth: Iran In 1967.

iran8/photo © Mehdi Mahboubian/

The following photos were taken by Mehdi Mahboubian, Iranian scholar, art dealer, collector and lover of Persian culture.  He took them in 1967, on a trip from Tehran to Shiraz.

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His son Kourosh Mahboubian explains how his father took these photos because he wanted a record of the sights, people, and way of life he loved so much.  From the kabab man to the bazaris, to the washer woman, he captured everyday scenes in the life of every Iranian.

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Mahboubian writes: “At that time, Iranian society had reached a crossroads between the magic of its ancient culture and the forces of modernization. The country was happy and prosperous for a while, though change, for good or bad, would become inevitable.”

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//all photos © Mehdi Mahboubian//

You can see more photos and read the full story here.

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Previous Time Travel Booths:

Afghanistan by Paolo Woods

Middle East by Inge Morath

70’s and 80’s Sudan by Abbas Habiballa

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art of resistance, Iraq

Jamal Penjweny | Remembering Iraq’s Jews.

islamic-jewish-a1/art © Jamal Penjweny/

Iraqi-Kurdish photo artist Jamal Penjweny’s newest project envisions a new chapter in the history of Iraq’s Jews, written about on Mashallah News. It’s another great project by Penjweny.

In less than four years, from 1947 to 1951, most of Iraq’s Jews left their homes and moved to Israel. Their presence in Iraqi society has since been forgotten, intentionally or unintentionally, by many. But one man in Qal’at Saleh, a small town in south-eastern Iraq, keeps the memory alive.

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That man is the school manager, Ahmad – he kept the names, school records and photos of Jewish students. Penjweny writes about Ahmad’s mission:

“The memory of the community may be fading away, but some Iraqi Jewish names have not been erased. They are still here, recorded in the school books in Qal’at Saleh, along with their grades and their black and white photos. Portraits of children, once five feet high and 10 years old, who are today in their mid-60s, possibly living somewhere in Jerusalem, Tel Aviv or Haifa. Most of them probably do not know that in this small town in south-eastern Iraq, Ahmad is still keeping track of their names.”

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Read the full story and see all the photos on Mashallah News.

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art of resistance, Lebanon

Playlist: Jerusalem In My Heart.

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Jerusalem In My Heart (JIMH) has been a live audio-visual happening since 2005, with Montréal-based producer and musician Radwan Ghazi Moumneh at its core.

Moumneh is a Lebanese national who has spent a large part of his adult life in Canada and has been a fixture of the Montréal independent music community for the last twenty years.  He’s also active in the Beirut and Lebanese experimental music scenes, where he spends a few months every year.

With performances occurring a couple of times per year, no two Jerusalem In My Heart events have ever been the same: configurations have ranged from 2 to 24 participants, with varying degrees of theatrical stage action alongside a film/video component.

Enjoy a little bit of the JIMH experience listening to this lovely piece.

Previous Playlist:

Maghawir by Mashrou’ Leila

Selda Bağcan

Saul Williams

Farida Muhammad Ali

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