Afghanistan, art of resistance

Souvid Datta: Contemporary Kabul.

I love photography. Sometimes it speaks in a language louder and more comprehensive than words do. When it comes to Afghanistan, I always try to show diverse photo projects and essays. From Massimo Berruti’s black and white photographs which show the daily distress, destroyed lives and broken country to Riverboom’s interesting twists in their Baechtold’s Best – Afghanistan series.

Today, it’s Souvid Datta and his project Contemporary Kabul. I stumbled upon his work while reading an article in The Guardian and I am really happy about this little discovery. About his Contemporary Kabul project, Datta states:

Common, contemporary perceptions of Afghanistan’s capital, Kabul, is based on three decades of war coverage. From the Soviet and Mujahideen battles, to Taliban rule, US invasion and subsequent security struggles, the stories and images most internationally pervasive are those coloured in conflict, bloodshed and tribulation.

Today, the Kabul that exists is one of many faces. One where bombed out buildings stand aside fresh internet cafés. Where more children and girls are attending school that ever before. Where shops and streets are populated by musicians, artists, athletes and activists who are trying to live connected to 21st century lives in spite of the massive infrastructure problems and the ever-present military attacks. Against the backdrop of Afghanistan’s first and messy democratic transfer of power as well as the Taliban’s recent tide of violence, this series explores contemporary trends in youth culture, arts and daily life. It is an ongoing, unfinished project.”

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The everyday life in Kabul is a life in a twilight zone between war and peace, as many of the different photo essays I wrote about show. This one lets a little more sunshine in.

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I think it is visible that a lot of time and dedication went into this photo project. This isn’t one of those cases where a photographer picks a ‘hot spot’, snaps hundreds of photos in couple of days and then leaves. Datta took his time to discover the culture of Afghanistan and meet its people.

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It’s refreshing to see such a detailed and in-depth look at Kabul at this moment in time. I think more of this kind of work – with genuine interest and emphaty – is needed in the photo-journalism community.

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Enjoy these photos but also remember war is still out there – and just tomorrow one of these faces could never again smile, watch a film, fly a kite, run, play, study, walk, work or  breathe.

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Undeserving and senseless death is nothing new in Afghanistan. Luckily, strength and resistance are also ever-present.

//all photos © Souvid Datta//

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For more on Datta’s work, visit his official website.

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