art of resistance, Iran

The Iranian Knot (traditional vs. everyday life) by Jalal Sepehr.

Jalal Sepehr is an Iranian photographer. His work Knot series (2011) is comprised of 12 images all including a Persian rug (1m x 70cm) taken in the historic city of Yazd in central Iran. Contrary to initial intentions, some of the images in Knot make use of the historic scenes and examples of architecture found in Yazd.

In this series, Sepehr strove to depict a space in between traditional and everyday life in his pictures. To do so, he made use of the rug and architecture as representative of tradition in opposition to the individuals pictured, dealing with the issues of everyday life.

knot-4-rah“A contrast”, Knot Series, Jalal Sepehr

knot-abanbar“Uncertainty”, Knot series, Jalal Sepehr

knot-amir-chgmagh“A procession of mourning”, Knot series, Jalal Sepehr

knot-dastha“Hands”, Knot series, Jalal Sepehr

knot-do-panjareh“two windows”, Knot series, Jalal Sepehr

knot-ghale“A gate in the way”, Knot series, Jalal Sepehr

knot-ketab“A look at the past”, Knot series, Jalal Sepehr

knot-loolehaye-farsh“Closing and leaving”, Knot series, Jalal Sepehr

knot-partab“Thrown away”, Knot series, Jalal Sepehr

knot-pirmard“A half look at the past”, Knot series, Jalal Sepehr

knot-estade“A view”, Knot series, Jalal Sepehr

knot-jahesh“From this side to that side”, Knot series, Jalal Sepehr

Beyond having participated in tens of exhibits both abroad and within Iran, Sepehr’s photography has been featured in galleries worldwide, including his series titled Water at the Silk Road Gallery (Tehran 2004), and his series Knot at the Khaki Gallery (Boston 2011). Visit his official website for more.

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One thought on “The Iranian Knot (traditional vs. everyday life) by Jalal Sepehr.

  1. Pingback: Colouring the Map | Clare Flourish

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