I feel rather lukewarm about this “Year of Reading Women,” despite an earnest belief that women’s books are (generally speaking) not taken as seriously as men’s. But just in case that I’m wrong — in my lukewarmness — and if you’re keen to play along, here’s a list of twelve suggestions of Arabic-writing women.
Which women’s voices will this #readwomen2014 prioritize? Does it touch on any of the reasons why we gravitate toward male protagonists? Will it be, in the main, a celebration of English-language women’s voices? Of women at the center or the peripheries?
But despite my reservations, there’s a good enough chance that I’m wrong — in my lukewarmness — so if you’re keen to play along, this is a list of twelve suggestions of Arabic-writing women. Bonus points where the translator is also a woman. So here it is, one for every month of the year:
January: Hanan al-Shaykh, Story of Zahra, trans Peter Ford. You just cannot go wrong with Story of Zahra, which is also one of the five books on my “how to get started with Arabic literature” list.
February: Adania Shibli, Touch, trans. Paula Haydar. Or, if you prefer, We Are All Equally Far from Love, trans. Paul Starkey. Shibli is for those of you who are literarily-minded, who enjoy a woman’s narrative that lives outside traditional Western story-building. With its surprising poetic imagery, Touch could just as easily be classed as a collection of prose poems.
March: Samar Yazbek, Woman in the Crossfire, trans Max Weiss. Raw, honest, terrifying, hopeful portrait of the first few months of uprising in Syria by one of its leading novelists.
April: Hoda Barakat, Tiller of Waters, trans. Marilyn Booth. It’s true, Barakat is big on the male protagonist, but with an amazing empathy and sensitivity both to characters and to objects of daily life.
May: Sahar Khalifeh, Of Noble Origins, trans. Aida Bamia. Winner of the prestigious Mohamed Zafzaf prize, Khalifeh is a strong and prolific author with many novels in English translation. My suggestion is her most recent, in particular because it shows an important historic moment from a woman’s point of view.
June: Alexandra Chrietieh, Always Coca-Cola, trans. Michelle Hartman. This book is very much a piece of women’s writing, centered more on the contradictions of daily life than in rising and falling action. It’s also very funny.
July: Iman Humaydan Younes, Wild Mulberries, trans. Michelle Hartman. There’s also another book of Younes’s coming out this year, trans. Hartman, Other Lives.
August: Radwa Ashour, Woman of Tantoura. I would like to recommend Radwa Ashour’s Farag (which is supposed to be out as Blue Lorries in May), trans. Barbara Romaine, but BQFP has been sliding on deadlines lately. But whenever it’s out, do get it. Ashour’s Spectres is also a wonderful metafictional view of women’s lives.
September: Najwa Barakat, Salaam!, trans. Luke Leafgren. This difficult and powerful novel finally brings an important Lebanese author into English.
October: Iman Mersal, These Are Not Oranges, My Love, Khaled Mattawa. I would like to recommend Mersal’s Until I Give Up the Idea of Houses, but alas it’s not yet in English. Poems from Oranges here.
November: Miral al-Tahawy, Brooklyn Heights, trans. Samah Selim. All of al-Tahawy’s books deal with women’s lives (this one in New York and Egypt), but this one is additionally translated by an award-winning (woman) translator.
December: Betool Khedairi, Absent, trans. Muhayman Jamil. I once had a torrid love affair with this book, which takes us from a vibrant and beautiful mosaic of Baghdad and moves toward the present.